It’s awards season boys and girls!

I looove the red carpet, I love it. I love picking the best and worst dressed, the speeches, the fuck ups, the emotional rants. This year I went to see the Golden Globes at Producer Heather Haggarty‘s house. The cocktails were fabulous, the pork was a little fatty, and at the end of the night I left Heather’s house with a promise to get up to speed before the Academy Awards. So far I’ve seen most of the films nominated for best picture with the exception of Lincoln and Beasts of the Southern Wild. All the rest:  Les Miserables, Django Unchained, Silver Linings Playbook, Life of Pi, Zero Dark Thirty, Amour and Argo I have seen and I am very underwhelmed.

Where are the memorable moments of supposedly the “best films of 2012”? So far, the nominees for best documentary film have been far more stimulating and thought provoking with Searching for Sugar Man and The Invisible War (go ITVS!). Does anyone know why documentaries can’t be nominated for best picture? Really, I would like to know.

I believe in the power of good performances and am sad to admit that… none have swept me off my feet this year. There are some very strong moments:
– Anne Hathaway’s solo song in Les Miserables was great yet I really hope I don’t have to listen to another one of her overly rehearsed speeches.
–  I loved Bradley Cooper in Silver Linings Playbook and I wonder if a romantic comedy could award him the golden statue.
– Samuel Jackson was brilliant in Django which was probably the one aspect of the movie that I really enjoyed.
– Jessica Chastain was good in Zero Dark Thirty but to me, rather than her performance, it was the symbolism of her final close-up with the white straps and the red background, what made the moment memorable.

I have not seen Lincoln yet (Sue McNamara: I’m still rooting for you!) so I have not lost faith. If I had to pick a favorite  right now my vote would go to Argo for one simple reason: Ben Affleck just seems like a reeeeally nice guy. Yes, awards should be about more than that. They should all be about celebrating the best films, the best crews, the best performances; they should not be about grand screening parties or profitable distribution deals. But we have to remember that Hollywood is a business and the Oscars, its biggest political campaign.  Ladies and gentlemen, come February 24th I hope you enjoy the show.

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